Taxonomy terms

- 2023

a monograph: Ouïr le jamais vu and a Head print containing a vinyl made with the musician daniel duchamP
Edition La Lettre Volée.

- 2023
Sonopoetic performance. Ouïr le jamais vu.
Entre Monde - ARTour art contemporary and heritage
Château Gilson, La Louvière, Belgium
Voice / text (do.space) - Sound / daniel duchamP
Transcultures coproduction / City Sonic 20 year / ARTour - Central

- 2023
Exhibition solo Ouïr le jamais vu.
Reading François Delvoye - performance poétique vibratoire Philippe Franck: « Paradise Now + Isa*Belle - Un.do.Weil’sveil ».
A. Galerie Rue du page, 25 - Bruxelles - Belgique

- 2022

- Exhibition, Traces de l’invisibles. Installation de l’oeuvre « Ouïr le jamais vu ».
Curator, Carine Fol. CBW, Paris/France
- Performance (do.space), « noir-soeur » CBW:Paris/France

- 2021
Personal exhibition. Espace privé pour l’art contemporain Kamer negen /K9 - Rixensart - Belgium

- 2021
micro [scopie]. Edition (do.space).
Leporello with vinyl. Collaborations: François Delvoye - daniel duchamP
https://dominiquevermeesch.be/en/informations/edition

- 2021
micro [scopie]. Edition (do.space).
Leporello with vinyl. Collaborations: François Delvoye - daniel duchamP
https://dominiquevermeesch.be/en/informations/edition

- 2021
Personal exhibition. Espace privé pour l’art contemporain Kamer negen /K9 - Rixensart - Belgium

- 2021
Personal exhibition. Espace privé pour l’art contemporain Kamer negen /K9 - Rixensart - Belgium

All informations contained in the pages "News" are regularly transferred to the pages "Archives".
http://dominiquevermeesch.be/en/informations/archives

- 2019
City Sonic
Teinté[e] ⟷ Tinté[e]
sound installation
Faculté de Théologie, UCLouvain Descamps, 1348 Louvain la Neuve, Belgique
http://citysonic.be/festival2019/

- 2019
performance (do.space) &
speech of François Delvoye, curator of the exhibition
as part of AVE LUÏA, a raw look at religious art
Thursday night 19/06/20 at 18:00
Musée Provincial des Arts Anciens du Namurois
Rue de Fer 24, 5000 Namur

« L’étrangère » n° 61, revue de création et d’essai
Collectif, Pierre-Yves Soucy. Lettre Volée. 2024
On the cover: illustration “ppéénétration” © Dominique Vermeesch. On the back cover:
« Tout reste à dire de l’étrangeté du réel, d’autant que la parole qui exprime ce qui n’a pas encore été exprimé demeure étrangère à elle-même » © Pierre-Yves Soucy.

​H8X12
Horenweg 37
B-3390 Tielt-Winge
http://h8x12.be/iib/
​

Release of the book: Correspondences In The Labyrinth of Sounds.
This collection of critical texts (2005-2022) around sound arts constitutes a correspondence in the literal and figurative sense, between the art critic/writer Alexandre Castant and the artistic curator/creator/sound/essayist Philippe Franck, who relates projects artistic, literary as well as complicit exchanges carried out over time.
You will find a QR Code giving access to a compilation of new sound pieces presented as part of City Sonic (in connection with the Transonic label) including a piece “Microscopie” produced by (do.space) and daniel duchamP

- 2019
Exhibition of one of my work, owner B. Oosterlynck.
Espace privé pour l’art contemporain Kamer negen /K9 - Rixensart - Belgique

Je ne vois pas, je voix.1951-3015
Performance in situ, ashes.

This is what I’m introducing in my performances: a little of “being” + a part of an organ + an “x”-civilization + a soul + some parasite in the eye + an act created “under X” (= unrevealed author) + an awareness + a self-abandonment + (d£.space) + a grace + an enjoyment

Is life a vision ? My voice is the sound spectrum

of my vision, the life that spreads. Are women verbal ? They are "trance-mission". Is sound granular ? Sound disarticulates language,

the voice is mixed and remixed until it is no more to identify, until I am no more to be identified;

it is at the brim of the audible. Bone, air, violence.

It is only in the stability of life that I can renew.

For example when life is confusing I can become just a voice.

- 2018
Presentation of my works as part of the collective exhibition Actitudes Contemporaines Belges - Versoix - Genève - Switzerland
with the participation of the ASBL Delvoyeurs
Boléro - 8 chemin J.B. Vandelle - 1290 Versoix - Switzerland
www.bolero-versoix.ch - bolero@versoix.ch

Design / sound or visual installations, performances,
graphical experiments, perceptions, videos, printed
or engraved photographs become archive documents.
I use them personally as a database. Through its form,
editing makes it possible for me to conceive my research
work in another way. They are made at author’s expenses.
All those limited editions are available at dominique.vermeesch@skynet.be

2019 . teinté[e] ⟷ tinté[e]
Video performance / sound installation
City Sonic

Everything acts upon everything. In the philosophical path of Simone Weil, my body -perception, transforma- tionalspace, is that of a tinted ⟷ tingling vibration of the universe. From this interaction, is born an inner voice articulated in words - tones, and touched- blurred by things of this world. Anthropocene, harnessed to anterior and neo - contemporary signs: my soul- interiority, and foundation of the sound language of this work, becomes sensor, transmitter, animal, cave, extinctions, hard disk, stellar clusters, waves from Valentina Terech- kova, all inseparable from a contact writing. (do.space) City Sonic 2019

2022 Ouïr le jamaisvu.
Je trace des sons internes.invus par l'oreille et par la bouche, une sorte de langue sonobscure W051 fondu.e au noir qui vibrrrhurle des non.sons (mots enfouis qui ne sortent pas du trou noir mon larynxxxss s).
multimedia installation. Vidéo performance - voice - darwings - archives documents. Exhibition Traces de l’Invisible. Centre Wallonie Bruxelles - Paris.

When I’m designing, I incorporate personal documents, newspaper articles, books and technology into my working files. I associate them, mixing and glueing them. The broadcast can be an audio or visual one. The whole thing forms a timeless, never fixed and multi-versions installation. The elements contained in the arrangement move from one research to another. It is an eternal beginning, transformation, death, and rebirth. It is part of a nomadic thinking, of a concept of language that sticks to my own life. Only the document memorises with or without sound.

2023. Monographie Ouïr le jamais vu. Editions La lettre Volée.

Head print containing a vinyl made with the musician daniel duchamP.

released
The Art of Silence
DVD edition 2018
P-ART projects http://users.skynet.be/P-ART/
trailer:https://youtu.be/M9KMG7dshqQ
booklet + DVD audio/video 15€
contact: daniel.duchamp@proximus.be

2018. магнитные затворы / Magnetiques silences.
Vidéo performance and voice.
Mastering and sound creation: daniel duchamP
Ed, DVD Project The Art of Silence, P-ART.

Drawing
Touch / contact

Introspection
Occurences

(Voice)

audio:
https://transonic-records.bandcamp.com/track/vision

- 2015

Exhibition/Performance. Church Saint Jean Baptiste-au-Beguinage « Les sœurs Noires ».

Curator François Delvoye. 1000 Brussels - Belgium.

Press:

- excerpt from l'Art Même, n°66 -2015
- report from Arte News -2015
- Le Delvoyeurs Illustré N°1 -2015
http://delvoyeurs.com/EXPOSITION-BRUXELLES-DOMINIQUE-VERMEESCH
- earteam RIFRAF 217 -02/2016

The open mouth of Meredith Monk / Charlotte Moorman’s violine bow / Françoise Collin’s copyright / Judith Butler’s identity disorder / an “X” rated woman / Magdalena’s desire / Hannah Arendt’s rebirth / Julia Kristeva / the graceful fluidity of Simone Weil / Lee Miller’s life / the table of elements of Eliane Radigue / a sound by Daphne Oram / the autobiographical notes by Eva Hesse / Dorothée Richet’s plural life / prostitute X / travesties of the Countess of Castiglione / Anna Hoch’s political copy and paste / writings on women’s rights by my great-grandmother Elise Van Vyvere / Leona’s passage love, a surrealist artist /
the Punk Prayer Mother of God, Chase Putin Away of Pussy Riot / sensual words of March 18 by Meret Oppenheim / Unica Zurn’s madness / the ecstatic enjoyment of Teresa of Avila / the immaterial whiteness of the virgins / a smooth gesture of Pina Bausch / the rape-murder of Violette Nozière / the organic contact of Lygia Clark / blood and injury of Gina Pane / the revolting trial of Artemisia Gentileschi / man-woman of Claude Cahun - Cindy Scherman/ Saint Agatha cut-off breasts / The sounding planets of Ursula Bogner / …

All informations contained in the pages "News" are regularly transferred and archived in the pages "Archives"

(do.space) La Transfiguration du corps-voix.
Interview by Philippe Franck-
Turbulences vidéo #114
https://videoformes.com/2022/01/06/turbulences-video-114/

2019. Par l’oreille et par la bouche
voice - Thérémin
H8 X 12 Tielt-Winge

2018. (l’éternité ?)
Multimedia installation. Vidéo performance - drawings - archive document

2016. Penetration : voice notes, unknown language

ppppppplappéppppppénnénéétratioonnnnnnxxxx
xxxexxxxssssssssssssssssssexttttttasssssssssss
sssssssssssssssssssssssssssspppppppppppppp
pppppppépépépépépnnnnnnnnnnnntrationtration
trationtiontiontionooooooooooooooooooooooooo
oooooooolapppppppplapelllllllllleleconcontttacct
cctcctctctctctcttttttttxcsssssssssssssssssssssss
ssssxxxxxxxxxxxxllllappénéttrattttiontiontiontion
contttacctcctiontiontiontiontiontitontiotnconcon
tacctttcnladudududusexxxsxsssventrrrrrrreyeuux
yeuxyeuuxieuieuieuieuieullllllllllllpénétratrationtion
tionsexxxxxxxxxxxxxxeaaapppapapaaaaaaaaaaa
aaaaaaaaaaaparitiontiontiondededdddl’l’l’l’l’l’lexs
sstassssssssssexxxtasseeeseeeeeeeeeeeeeeeee
eeeeeeeeeeeeeeeeeexxxxxxxxxxxxxxxxxttttttttttt
tttttttttttaaaaaaaaaaaaaasessssssssssssssssxxxx
xxxxxxxxxxxxdelapépéppppppppppppénétratio
nddissssssssssssssssspaaritiondidiisssspappa
papaaaaaaaaaapppppppppppppppparitionionio
nionionionionionionionioniooooooooooooooooo
oooooooooooooooooooooooooooooooooooooo

Any contact and perception between me and life must be tried and invented.

While creating, my body becomes a sensor. With my body, I can perceive in a " transorganic " way what surrounds me.

I also use any other object that allows me - beyond the traditional networks - to capture life. For example, I can drag a micro-sensor on

my skin and listen to an event of the world that spreads through my cells.

Perceptions are pushed to the extreme of

the human perception senses. My eyes can touch

a stranger's hand tattooed with blood; my cheek can experience political violence in Libya.

When perceptions appear, I record them by camera shooting, audio recording, graphic notes.

1990 - 2018 Pénétratum
I am only penetrating the world. This is my transanthropocène body

- 2019
Sound harness

2017 . Céleste

- 2017
COLLECTE, COLLECTION, COLLECTIONNEUR, UN MONDE Á SOI
11e biennale ARTour
I have a personal work in the collection of Baudouin Oosterlynck,
at the MiLL - Musée Ianchelevici, Place Communale 21 à La Louvière - Belgique
24.06 > 10.09.2017

2022. ouïr le jamaisvu. installation. CWB, Paris, France.
Curator: Carine Fol, Directrice artistique de la Centrale for contemporary art Bruxelles
Performance (do.space): noir·soeur

micro [ scopie ] édition (do.space) 2021

Presentation of the book published on the occasion of the artist’s exhibitions in the private space for contemporary art Kamer Negen/ K9, Rixensart and the A.Galerie, Brussels in 2022.

The leporello edition contains: writings/ drawings, photography of a performance by the artist Dominique Vermeesch (do.space), text by François Delvoye, anthropologist + a 7" vinyl of four titles in collaboration with daniel duchamP.

Litho-photography - 40 copies printed by (do.space) on the presses of Atelier Bruno Robbe in Frameries.

download full titles, contact: dominique.vermeesch@skynet.be

Dominique Vermeesch (do.space) works and develops his questions through notation-drawing-phonics, photography, video including his own body, particularly during performances which offer the opportunity for a mystical encounter with these waves that she watches, with this body as a place of inscription of the world, of history. Troubled body vector of its work but not in a fixed way, like a tattoo, but via sound-tactile waves as a transient vibration. Her questions are in fact at the center of the vast network of works, links and meanings that she sets up. His work, called "contact language", must be approached as a whole, in continual expansion, in systematic questioning. In addition to her creation of drawings, her art is based on classification, archival work that she uses today in her own way, exploring the history and philosophy of the themes that are dear to her, mixing existing documents with her works, constructing in this way a world of dialogues of texts, sounds and images, from different eras, from different cultures. We come across Hannah Arendt, Patti Smith, Simone Weil, Donna Haraway, as well as images of the cosmos and everything relating to creation, the body, and all their mythologies. François Delvoye
- Selection of exhibitions: Musée du Béguinage de la Maison d'Erasme (Brussels), Eglise St Jean Baptiste au Béguinage (Brussels), Musée Art et Marges (Brussels), Le Boléro -Versoix (Switzerland), Musée Royal de Mariemont ( La Louvière), Rops Museum (Namur), Louvain-La-Neuve Museum (Louvain - La-Neuve), Tournai Cultural Center (Tournai), Maison de la Poésie (Namur), CWB (Paris)

excerpt from the video performance "L'éternité?"
"Femme en pleurs", descente de Croix de Rogier van der Weyden – set of headphones - sound harness - recorder - shoes - respiratory mask - bones

2015. Les Soeurs Noires
Inclassables
Néo-mutantes
Conceptrices
Transposées
Pensées
Visionnaires
Au-delà de l’histoire
Au-delà de l’image
Dans la descente du corps
Elles

Je meurs de ne pas mourir dans cette vision
-
Research conducted for the exhibition : « Les Sœurs Noires ».
Curator François Delvoye. Church St Jean Baptiste. 1000 Brussels.

- 2014

Exhibition/Performance. Museum of the Beguinage « Les Sœurs Noires ».

Curator François Delvoye. Anderlecht / Brussels – Belgium. Conservative Ann Arend

Performance during the symposium « Femmes mystiques d’Orient et d’Occident : éros et puissance créatrice ». Omar Khayam Center in collaboration with CIERL (ULB) and the Erasmus House. Anderlecht / Brussels, Belgium. Museum of the Beguinage « Les Sœurs Noires ». Curator François Delvoye

1951  Open my mouth. Fill my organs of hyper-feelings. Introduce into my body six hands, two bellies, three breasts and eight eyes. Experience several “Petite Mort” (Little Death) like Martha Graham’s.

1957  Become an eye - insect.

1960  To turn 14 years old. Be a ♂ or ♀ a or …? Swallow the “Froth on the daydream” of Boris Vian.

1965  Collect reproductions of painters and women from different cultures.

1970  Enter the philosophical beat era. Disguise my body. Live of Alan Watts’ love and knowledge. Mix my eyes, Hieronymus Bosch, Marcel Broodthaers, Yoko Ono. Thwart the excesses of a capitalist society.

1975  Create a field of action. Underexpose my art, live on attempts, incompleteness, and idleness. Write a nomadic thought. Prolong my hand with a camera. Shatter the unconscious part in me with a typewriter. Listen to the cries of Meredith, Monk. Glide wit, h La Monte Young. Read Levi-Strauss’ “Pensée sauvage” (The Wild Pansy aka The savage Mind).

1980  Divert, invert, reverse, potter about, “overlove”. Allow my being to be a woman and an artist. Participate in the feminist demands. Flick through “Les cahiers du Grif” 331W20 by Françoise Collin. Affirm the right to homosexuality, the right to my abortion.

1990  Impregnate my art of Deleuzian philosophy. Become a woman with or without her organs. Remove my bones, deposit them in other lives. Be in a state of ecstasy. Swap my faces with those of Claude Cahun.

1995  Transmit socio-artistic-post-human survivals. Change my name into (d£.space).

2000  Feel the Iraqi missile explosion. Record mnesic waves. Close my eyes, shatter. Surround my body with microphones, audio cassettes, cables, loudspeakers. Inhabit my soul like a own room. Raising two daughters.

2005  Broadcast visionaries : Hildegard Von Bingen, Hannah Arendt Simone Weil.

2009  Surf on You Tube for Judith Butlers thoughts. Listen to Phillip Jeck. Evolve at 300°.

2011  Turn my art into xpoetik. Waver, withdraw, lean back, die, copy and paste visions, disarticulate (d£.space).

2016  Being weightless. Become an asronaut. Emigrate to the Shoemaker - Levy 9 comet.

2017  Landing on the celestial Xinjian mountain disapear in an ash mist and then return to oneself

2018  To be finished. To experience this sensation as a grace. Remember the beauty of Ingrid Bergman in the movie "Stromboli".

2019  To become transanthoropocene. Vomit my AXO3? cells. Modify my body into Chameleon Musae. Being in a state of eruption.

2020  Powder my face with the white of the Okjökull iceberg. Tint my sounds of "rose ss è une rose". Talk to the planet Mars. Hack my voice    my art

2021 Making eye-voices vibrrrate life. Listen to the transmental poetry of Varvara Stepanova

2022 Swap my being into piece. Wire my tentacles to the burried things of this world. Eject from the darkness.

2023 To be a swarm of noises, contagion of living words vibrating going and coming from soul to soul, to be blowing ashes and smoke...

Victor Hugo, "The treshold of the abyss" 1891 

She is a woman touchscreen extended with a hard disk. Sensors / dfffusers / microphone / mystical archival objects connected to a harness / a soul.
Sound : daniel duchamP, (do.space).
Performance during the symposium « Femmes mystiques d’Orient et d’Occident : éros et puissance créatrice ». Omar Khayam Center in collaboration with CIERL (ULB) and the Erasmus House. Anderlecht / Brussels, Belgium.
Museum of the Beguinage « Les Sœurs Noires »
curator François Delvoye

Eyes shut, I penetrate my own being. I open and enter myself.

The sensations I am feeling are instantly captured on a sound tapping device and sent to the loudspeakers.

The voice comes out of the body and the speakers and overwhelms me. The universe, as well as some documents relating to the experience, is installed on a table, they are used to disseminate any mnesic occurrence.

2017. Apesanteur

A file containing a stock of pictures of planets,

a microphone, a book about Aby Warburg life,

an anatomical Venus, an unknown skull,

the picture of a cave, their associations.

2021
Usages et valeurs du Noir.
Séminaire CEEI-Thalim. INHA Paris.
Poétiques et imaginaires du noir dans la création sonore actuelle. Philippe Franck, Transcultures.

Compilation, 3 cd, text, voice, picture. Voice / text, (d£.space), noise, Daniel Duchamp. Introduction, Olivier Bonny.

- 2010

Exhibition/Performance. Musée Art et Marges, Corps Accorps, Bruxelles, Belgium. Curator: Carine Fol
Press:
François Delvoye, Le corps holistique de Dominique Vermeesch, Catalogue CORPS ACCORPS - BODY TALK, Musée Art et Marges, 2010

2010 . X♀Wdo51
Elle est une femme qui contient Simone Weil / une âme / un corps défait / deux haut–parleurs à la place des seins / une vision.
Musée Art et Marges. Bruxelles. Belgique.
with: Camille Van Acker, sound: daniel duchamP, (do.space).

A mystic visionnary experience. An historical space :
a beguinage built in 1252.
In that space, I realize a communion with the archival items.
I touch past/ present of universal women. I move in a « out of time, that of experience. I use my voice, my soul.
Research conducted for the exhibition : « Les Sœurs Noires ».
Curator François Delvoye. Museum of the Beguinage Anderlecht / Brussels, Belgium

1990/1999.  Introspicere

I have installed twelve sound canvasses on structures, twelve drawings that broadcast text overlapping in a continuum.

On a table I have placed a monitor and archive documents.

The sound contains questionings, sensations / perceptions of the act of conception.

The texts come from experiences of contact with the depth of my being.

2015 . ’’E?SoJ

My daughter’s face - a musician / poet nicknamed "The Plastic Strawberries Need Stitches", she took part in the "Hamadryan” performance presented at Musée Félicien Rops in Namur. It is a "face" that moves and changes. Her lives settle and move out of me. She is a woman evolving by 300°.

Guided tours of the exhibition by Astrid Mattart, art historian.
Les Soeurs Noires - Dominique Vermeesch: about church history, the beguines and feminism.
Sunday 4, 11, 18, 25 October at 15:00h
Reservation required: +32 476 879 139 or francois@delvoyeurs.com

1 cd, picture, text. Voice/ text, (d£.space), noise, Myriam Rouillard.

Performance is a transmission. She is an evolution / revolution woman; she is erotically visionary. Rops Museum. Belgium. Bass / vocal , The platic Strawberries Need Stitches, body - painting, Alexandra Lameir, son, daniel duchamP, (do.space)

Births, deaths, rebirths, love, desire, madness, the secret, wars, injuries, all this activate

my vision. Vacuum, unconsciousness,

the invention, the inaccessible, impotence they

all operate my breath. That’s where everything is.

I have designed a tribute to Lee Miller, a woman photographer, in the form of a slideshow on the basis of archive pictures. The life of Lee Miller is a creation, her life is her work. In this tribute, image after image, I open a photographed life, the one of my life as a design.

- 2008

- Performance. Musée Rops Hammadryennes, Namur, Belgique
Press: Hélène Carpiau, Quand le nu sort du tableau, La Meuse, septembre 2008
- Catalogue Dominique Vermeesch (d£.space), Dominique Vermeesch, Annabelle Dupret, Jean-Grégoire Savayan, ed. Polymorphe, 2008

I feel the warmth of my blood, I can capture moments of my life. I’m becoming just a vision. The shot experience becomes a document.

The picture is circulated. It settles into

the dwelling place where the action took place

and appears in other experimental situations.

I have found these hearts from the Boyadjian collection in the reserve of the Museum of Louvain-la-Neuve. I have included them in various experiments : Photos, videos, performance…. When I touched these hearts, I was touching rebirths, beats, loves. My body has retained the vision of this picture, and ever since a kind of excrescence has grown in myself. I have many hearts, many lives.

Collaboration Dominique Vermeesch, Annabelle Dupret, Jean Grégoire Savayan, ed. Polymorphe, 2008

The extraordinary thing is to reinvent oneself, to find
another position in the universe. One way to do it is
to build a sound and visual biotope. I am delivering
this space like my body to get it dissolved in the world.
Water and blood, pregnancy, conception (d£.space).

DVD : voice / text, (d£.space), noise, Daniel Duchamp, cover design, The plastic Strawberries Need Stitches.

Verbal work accompanies my research on the plastical transformation of the being, of it is mutation and fiction. The sound environment

(or : acoustic panorama) is activated by a voice derivation that destabilises and sends the mnesic sound perception back to an extratemporaneous dimension.

— voice (d£.space), Olivier Bonny

Out of documentary interest, I have collected all the documents used to the sound experiments.

A microphone, a rubber lab tube, neon lights,

a lab glass instrument, a terracotta lamb feeding bottle. Melancholy, a painting reproduction of Domenico Fetti. A man’s rib, a sound sensor, earphones. Reproduction, reconstructed skeleton of the man of Spy (Namur) found in 1886, Royal Institute of Natural Sciences of Belgium. African wooden statuette. Inhalers.

Books: proceedings of a rape trial in 1612 followed by letters of Artemisia Gentileschi (“Women” editions). The rebellious, Laure Adler, “Actes Sud” editions, (Simone Weil). Notebook. The Female Genius, Hannah Arendt, Fayard Editions.

Mary Magdalene, a painting by Domineco Fetti. I’m collecting all the documents representing her to better visualise the identity impact on women’s history. When I introduce them in my experiments, it seems to me that she lives anywhere out of the time. Mary Magdalena is in the off-painting.

- 2007

Video. ISELP - Performance-débat organisé par le Périodique Collimateur, projection du Film Bucca, "Art, produit sans recettes", Bruxelles, Belgique
- 2007
La Collection 1998 > 2006 de la Province du Brabant Wallon.
Domaine Provincial du Belloy, Belgique

1996 . mains
Influenced by Merleau-Ponty’s work, I have applied a few personal experiences from his phenomenology of perception. Through the applications, I have realised that my being was a sensitive plate. I was bio-seismic. I am the material of my art, a place of gestation and hence of action. Here, like in other works, I’m pursuing performative actions specific to female artists and writers before me, for example Carolee Schneemann in the seventies.

1999. Modifications
Hannah Arendt’s writings have been particularly interesting to me from the point of view of human thought, they helped me follow a thought of life that clung closely to my art. Almost everyday, her works are present in what I’m experiencing and what I’m living. "Concept of Love", as this experience might be titled is focused on her thesis on the "Concept of love in Augustine." This approach is "one" of the vision of her thought: I’m enclosing in it mutation, transmission, and renewed beginnings. A sound design.

2014. (do.space)

Cd, pictures , texte. Voice, (d£.space), Dorothée Richet,
noise, Daniel Duchamp.
Two women with plural identity record the depth
of their bodies. Their intimate interiorities are being
explored with a camera, writings and sound recordings.
The body and its ultra-sensory perceptions are
simultaneously tools and receptacles-laboratories.
The world of these two women is voice-recorded and
then mixed. Their identities are like communicating
vessels, it is the birth of a network with meeting points
and divergences. The recordings are performed in real
or virtual places that are carriers of meditative
experiences, such as the philosophical garden
of the Museum of Erasmus House (Curator Alexandre
Vanautgaerden, Brussels), a painting of the Italian 17th Century, a text of Marguerite Duras ...
The granular sounds extracted from a conversation are close to a proto-language. Their acousmatic broadcasts form an "extra-ordinary" biotope and the ether which is dispersing in it becomes art.

An oral and written version of correspondence.

I have verbalised or transcribed a sequence of words reflecting the idea of "one" of the feminisms. These words were exchanged through correspondence with Véronique Danneels.

They are engraved in the video and recorded on a minidisk and subsequently burned onto cd for oral transmission.

I have participated in the most difficult and violent experience. A social-political-artistic project. It was on women, prostitution, and love. The three of us, we have disjointed art and our lives by creating our own language. Sound Design: Three CD players. Three headphones. Two photos. Research conducted as part of the Neon-Nord, Art and Prostitution. Title: Woman in Blue.

- 2006
Press: Olivier Bonny, L’Art du livre 1, Reliures contemporaines, livres – objets et installations, coll : Répertoires d’art et de design en Communauté française de Belgique Co - édition éd Labor/ Communauté Française

I am, I am no more, I am the other.
I am “de-working” my own being to rebuild it: it is an action. The photographs of this performative action are put into circulation, thereby creating other versions.

I often take pictures of my working space where the movement of a thought X is activating. Perhaps it is a visualisation of any questioning about life and art?

2 cd, text, (d£.space), Véronique Danneels.

I have put on a table, a microphone, a book by Simone Weil and the universe. Then I recorded a piece of text by Simone Weil on “decreation”. By transmitting his thought, I was questioning my creation. Everything seemed so empty, yet everything was there.

- 2003
Quartier Nord, Néon-Nord Art et Prostitution, Bruxelles, Belgique
Presse:
Human Traffic, Radio Campus, Interview dans le cadre de l’exposition - Néon Nord + Prostitution, 2003
Anne Lombarde, RTBF, Intervention Néon Nord, Art + Prostitution, 2001
Hermine Bokhorst, L’art pour réconcilier habitants et prostituées, Le Soir, septembre 2003
Olivier Bonny, NéonNord, Art et Prostitution, des projets artistiques questionnent les clichés, AlterEcho, septembre 2003, n°149

Internal contacts, intimate notes are spoken aloud and broadcast in public in a valuable reserve.

I’m diffusing "feelings" troubles, silences, existential questions, pertaining to pregnancy and conception. Using a light table and a screen showing archive footage.

To utter the invisible in my being, I have created a variety of prototypes that make my thoughts,

my tactile memory and my soul visible. It is a visionary echography of my being. Intimate notes associated with graphite pencil drawings are placed on light structures, they appear and disappear and then continue in loops.

DVD : performance « corpsonde », Musée Art et Marges, Belgique + CD : performance « Hamadryennes », Musée Rops, Belgique.

- 2003

Château de l’Ermitage, Biennale des artistes du Brabant Wallon, Wavre, Belgium

XXXSS05 CCCHARLOOOTTE MMM
I archive faces. I undo them. I transform history, of faces, of my art. I undo my movement, my voice. I work with signs, clues, icons: crosses, numbers, pieces of lines, erasures. I work with waves,
sound layers: acoustic loops, stutterings, saturations. I want that language gets lost, be absent, gets empty. I want the void to be a language. Powerlessness.

2007 . untitled

In this experiment, I put myself in my own unconscious. This is the place the brunt of my being. I was soaked in blood. I felt as close to birth than to death. I was giving birth to myself and at the same time, I was forcing myself.

The diaporama projected images follow one another in a sequence of appearances and disappearances in a continuous loop.

- 2022

- Exhibition, Traces de l’invisibles. Installation de l’oeuvre « Ouïr le jamais vu ».
Curator, Carine Fol. CBW, Paris/France
- Performance (do.space), « noir-soeur » CBW:Paris/France

- 2001

Exhibition - Performance. Maison de la Poésie, La femme Orale, Namur, Belgium
Presse:
Systole, RTBF, Interview : La femme orale, 2001
Olivier Bonny, Réflexion autour de la Femme Orale, Maison de la poésie, Namur, Belgique, 2001

- 2000
- Musée de Louvain-La-Neuve, Under Construction, Louvain-La-Neuve, Belgium
- Studio de l’artiste, Under Construction, Louvain-la-Neuve, Belgium
- Musée Royal de Mariemont, Féérie pour un autre Livre, Mariemont, Belgium
Press: Catherine de Braekeleer, Marie-Blanche Delatre, Pierre-Jean Foulon, Féérie pour un autre livre, Catalogue, Musée Royal de Mariemont, 2000

2015. Les Soeurs Noires
Vinyl 12", 180g. Limited regular pressing of 400 copies, including a limited edition, 25 ex., with a drawing, hand-signed and numbered by the artist (ed.Delvoyeurs)
as part of the exhibitions at the Béguinage of the Erasmus House in Anderlecht and at the church of Saint-Jean-Baptiste-au-Béguinage in Brussels, organised by Delvoyeurs, curated by François Delvoye.
Music, Timo van Luijk and daniel duchamP, laser etching, Dominique Vermeesch.
Vinyl and digital download will be available at :
Timo van Luijk, http://www.lasciedoree.be/shop
daniel van acker, daniel-vanacker@skynet.be

- 1997
- Centre Culturel de Tournais, Livres en Marge Tournais, Belgium
- Musée Royal de Mariemont Performance Dessins Annotés, Réserve Précieuse Mariemont, Belgique

The cover "Les Soeurs Noires" has been chosen to appear in a special edition inside the best belgian record sleeves.
The book, "Belgium: The Vinyl Frontier pt.2" written by Ben Van Alboom and Francis Weyns was published by ed. Borgerhoff & Lamberigts.
At the same time, an exhibition takes place in Oostende, Fort-Napoléon till Septembre 15 / 2016.
https://vinylfrontier.be

-2019
Notations Performance

-2019
Notations Performance

- 1996
Studio de l’artiste, Dix années de recherches/collaboration avec le Musée de Louvain-La-Neuve, Belgium

- Florent Bex, L’Art en Belgique depuis 1975 Fonds Mercator, 2001

- Serge Goyens de Heusch, Art Belge au XX siècle, Racine (Coll. « Fondation pour l’Art belge contemporain »), 2006

- COLLIMATEUR, Périodique aux visées larges n°7, Under construction, page centrale, 2005

- Serge Goyens de Heusch, D’Alechinsky à Wolfs : anthologie chromatique, Edition Margada, 2012

- 2019
Voix Lactée

- Réserve précieuse de l'ULB, Bruxelles, Belgique.
- Musée Royal de Mariemont, Belgique
- Province du Brabant Wallon, Belgique
- Musée Art et Marges, Belgique
- Musée Rops, Belgique
- Musée L, Louvain-la-Neuve, Belgique
- Petit Musée des Petits Maîtres, Bruxelles, Belgique